5/11/2021 0 Comments Phil Lynott Solo In Soho Rarest
It was written by Lynott and Midge Ure, who was a temporary member of Thin Lizzy at the time, and who later went on to join Ultravox.It was subsequently remixed and released again on Lynotts second album, The Philip Lynott Album.
The remixed version was used as the theme music to the British music chart television programme, Top of the Pops, from 1981 to 1986. He had initially been drafted in as a guitarist to replace Gary Moore who had left the band abruptly during a tour of the US. For the Japanese tour, Dave Flett was brought in to play guitar and Ure switched to keyboards. I was never a keyboard player by any stretch of the imagination, Ure admitted, but added that Lynott kept him in the band to add an extra dimension to the sound. ![]() Ure has said, I actually have no idea what the song is really about, except perhaps that, as a thin outline, its a comment on the thought of Japanese technology taking over a twist on the Yellow Peril idea. Lynott and Ure were also influenced by the new technology that they saw in Japan, such as the new Sony Walkman, and by a trip to see the Yellow Magic Orchestra. This version was featured on Lynotts first solo album, Solo in Soho, released on 18 April 1980. On its first release as a single in the UK in March 1981, the song reached No. British charts, and No. When asked what kind of song he wanted, Hurll replied, Something like Yellow Pearl, and Lynott suggested simply using that song. Lynott later said, It has made me a fortune; every time I see Top of the Pops the cash register in me head starts ringing. When pressed about the actual value of the royalties, he answered, About 2p, I dont know. I wish Id written the theme tune to Coronation Street. This version featured electric guitar sounds instead of the popular synthpop version. By using this site, you agree to the Terms of Use and Privacy Policy. Wikipedia is a registered trademark of the Wikimedia Foundation, Inc., a non-profit organization.
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